Compare and contrast. Zooming in for greater detail: The same fly, the same pose, the same camera settings. All I changed was the background, and the difference in the animal’s appearance... -- Read more on ScientificAmerican.com

A while back I wrote a feature for Ars Technica on the dysfunctional online copyright landscape. The piece was personal. My photographs average around $50 each to make, mostly in time, equipment, and... -- Read more on ScientificAmerican.com

Unless you live under a rock, you have likely seen the clean white natural history work of the Meet Your Neighbours project. And even if you do live under a rock, chances are one of the... -- Read more on ScientificAmerican.com

Symbiartic recently mentioned tagging science artists on Twitter as an easy way to give credit. Tagging the artist is a great idea, of course, but not everyone is on Twitter. -- Read more on ScientificAmerican.com

Every once and a while I stumble across a dusty forgotten folder on my hard drive, full of photos so old I don’t even remember taking them. -- Read more on ScientificAmerican.com

Compound Eye has been quiet of late. My silence is for a good cause, though! The past few months have been hectic as I transitioned from freelance photography in Illinois to a new job: Curator of... -- Read more on ScientificAmerican.com