George Miller’s latest addition to the “Mad Max” franchise plunges into the backstory of the action hero memorably introduced by Charlize Theron.

OpenAI’s snafu over its “Her”-like voice assistant might be funny if it didn’t portend a larger crisis in the integrity of digital information.

In Alex Cannon’s comedic short, starring Chris Gethard, a dad struggles to give an age-appropriate explanation of the expletive.

In Paris, a rare retrospective shows that we still haven’t matched the sculptor’s grace, humor, and clear-eyed brilliance.

A new show about the Cold War, “Not All Propaganda Is Art,” reveals the dark, sometimes comic ironies of trying to control the world through culture.

Breasts are subject to capricious restrictions and contradictory norms. What would it take to set them free?