The New Yorker: Culture
Diane Seuss says, of writing her latest collection, “Modern Poetry,” “I really did feel that I didn’t know how to move forward without something like an answer.”
A memoir by Nicholas Kristof and a biography of Barbara Walters invoke halcyon days in the news business. What can we learn from their lives?
George Miller’s latest addition to the “Mad Max” franchise plunges into the backstory of the action hero memorably introduced by Charlize Theron.
OpenAI’s snafu over its “Her”-like voice assistant might be funny if it didn’t portend a larger crisis in the integrity of digital information.
In Alex Cannon’s comedic short, starring Chris Gethard, a dad struggles to give an age-appropriate explanation of the expletive.
In Paris, a rare retrospective shows that we still haven’t matched the sculptor’s grace, humor, and clear-eyed brilliance.