Coleman’s characters frequently displayed the kind of antagonistic demeanor familiar to anyone who has ever dealt with a bad boss or a disgruntled customer.

Outrage over the pop star’s new music video brought Brazil’s struggle with religious intolerance into view.

If you love stories about beautiful losers, consider Brian Moore’s novel about an alcoholic virgin or Benjamin Anastas’s tale of an inferior twin.

Coleman’s characters frequently displayed the kind of antagonistic demeanor familiar to anyone who has ever dealt with a bad boss or a disgruntled customer.

Though the history-inflected “Furiosa” and “Megalopolis” were the hottest tickets, films by Andrea Arnold and Rungano Nyoni proved to be discoveries.

“I love older theaters in particular,” said the actress, who is up for her third Tony for “Cabaret.” “The new ones don’t have as many ghosts.”