The New Yorker: Culture
You can take the platform away from American users, but it is far too late to contain the habits that it has unleashed.
The actor Marie-Lise Chouinard faces her terminal-cancer diagnosis with grace and comedy in Laurence Gagné-Frégeau’s short documentary.
The fussy structure of Luca Guadagnino’s film dissipates the erotic charge on which the drama relies.
There’s still much to be learned about our prehistory. But we can’t help using it to explain the societies we have or to justify the ones we want.
“Shakespeare’s Sisters,” “Limitarianism,” “Rough Trade,” and “Leaving.”
“This Strange Eventful History” traces three generations of an itinerant French family with roots in colonial Algeria.
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