A review of typefaces and typography books, with occasional commentary on fonts and typographic design.
Argetsinger aims to teach a new generation of designers how to uphold the standards and principles of the printers of old, in this strange new era when the composing stick is a text frame and the ink stone is a menu of swatches.
Can the world’s longest-running type design competition reimagine itself as a truly global display of abundance? Tanya George interviews this year’s cochairs.
We just launched the Typographica Library, a digital bookshelf of type and lettering resources to aid research and selection.
Craig Eliason explores how the peculiarities inherent to type design shed light on the purpose and practices of the design museum in the contemporary world.
In 1952, toward the end of the Korean War, Chilseong Shipyard was established in Sokcho, South Korea. The humble family operation built ships and served as a local fishery for generations. In 2017, third-generation owner Choi Yoonseong and his partner Baek Eunjeong restored it as a cultural space to preserve the shipyard’s legacy for future generations,...
I can count the number of times I’ve used a blackletter (unironically, anyway) on one hand. But something about Elfreth caught my attention and held onto it like a Brockhaus-Heuer Schraubstock.
Anyone who is from or has lived in Spanish-speaking countries will be familiar with the concept of perreo. It’s a word that describes how we dance to rhythms like reggaeton or funk carioca. The way perreo flows through Tomasa is palpable.
Swedish typographer and type designer Carolina Laudon is the first woman president of the ATypI. Ksenya Samarskaya caught up with her after last year’s conference to discuss her role in, and vision for the organization.
“I hope that we can have more frank discussions about the problems of industry inclusiveness and the approach and sense of responsibility around design, specifically in the world of type. With that in mind, I had a candid conversation with Elizabeth Carey Smith, a design director in New York and a past president of the Type Directors Club.” —Agyei Archer
Aside from being a delightful typeface family, Almost opens the door to the discovery of fifteenth-century printing types.
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