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Greta Sans Korean, a Hangul humanist Sans typeface system

Greta Sans is one of the largest commercially available type systems. It was originally published in 2012, and quickly gained popularity as a powerful toolbox capable of dealing with the most complex typographical situations. Thus far, Greek, Cyrillic, Arabic, Hebrew, Devanagari, and Thai extensions have been released, opening access to other language...

Tremolo Sans, an Unlikely Companion Typeface

Nikola Djurek’s Tremolo, a popular font which was awarded a TDC Certificate of Typographic Excellence in 2016, now has a new companion typeface, Tremolo Sans. Quirky and engaging, Tremolo Sans is a low-contrast typeface with humanist features, very large x-height, narrow proportions and unorthodox cursive details, such as the handwriting-inspired ‘k’,...

Typotheque Automates Free Test Licenses

Our connection with our clients has always been the most important part of our work, and we have always done whatever we can to support our customers. For the last twenty years we’ve been arranging informal test licenses for designers who need to do extended testing of our fonts in their projects. And since development of a typeface can take years,...

The Q Project, an open-ended typographic play system

Q, designed by Peter Biľak, consists of 6 uppercase base fonts plus 35 attachments that can be added as individual layers (Q Base and Serifs). It also comes with a variable font with a motion axis (Q Mechanic), as well as three levels of basic shapes that can be combined into new forms (Q Shapes). The base fonts and the attachments are...

Murtaugh & Riggs, a duo of complimentary typeface families

The past three decades have been marked by the growing popularity of extensive typeface families, particularly families of sans and serif fonts developed by modulating the contrast between thick and thin strokes. With Murtaugh & Riggs, designer Nikola Djurek has taken a new approach to building families, basing this project not on stroke...

What we have learned so far?

Happy 2020! With both the old decade and our 20th anniversary behind us, now might seem like a good time to look back on all the accomplishments that have brought us this far. But perhaps instead of listing what we have done, it would be more useful to reflect on what we have learned. The world is culturally rich, and promoting its diversity...

Typotheque Solo Exhibition at the Kunstmuseum Den Haag

When it comes to exhibitions, we have attended many, organised and curated a few, and even designed some, but our work has not yet been the subject of a solo exhibition in a major art museum. Until now. The former Gemeentemuseum Den Haag has a new name, Kunstmuseum Den Haag, and a new logo designed by Typotheque. The museum has also adopted the Ping...

New Logo for the Kunstmuseum Den Haag

Typotheque was asked to design the new logo of Kunstmuseum Den Haag, one of the most visited museums in the Netherlands. The proportions of the new Kunstmuseum logo are based on the original brick by the prominent Dutch architect Hendrik Berlage, who designed both the brick and the museum building. Amsterdam agency KesselsKramer proposed using...

Oli: a neo-grotesque with irrepressible personality and charming details

Although the neo-grotesque genre tends toward cold, neutral typefaces, Oli’s charming details glow with unreserved personality at large and small sizes alike, injecting a strong visual character into the text. Oli is the creation of Indian designer Shiva Nallaperumal and has ambitious plans to support all the writing scripts of India (Devanagari,...

Nocturno Stencil, a variable Stencil font

Nocturno, designed by Nikola Djurek, was published back in 2013 and has been used extensively for small-text applications due to its superb legibility, crisp details and easy-flowing rhythm. Nocturno also features a Display version which is even sharper, with larger counters. Now, we are pleased to announce the Stencil version of Nocturno, which further...

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