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Glynnis MacNicol on Marriage, Pleasure, and Orgasmic Narratives

In Glynnis MacNicol’s second memoir, I’m Mostly Here to Enjoy Myself, pleasure is political. The narrative follows the weeks MacNicol spent in Paris in late summer 2021 giving herself over to the enjoyment and excesses of sex, food, art, and friendship. In her first memoir, No One Tells You This, MacNicol grapples with turning 40 as an unmarried and...

Thu Jun 13, 2024 16:04
“Her Job Is to Show How People Live”: Claire Dederer on Laurie Colwin

We’re attempting to unravel the tangled web of literary influence by talking with the great writers of today about the writers of yesterday who inspired them. This month, we spoke with a writer who writes about literary monsters: Claire Dederer. Here, Dederer explores the kitchen sink domestic analysis of Laurie Colwin. What drew you to Laurie Colwin’s...

Wed Jun 12, 2024 15:59
Death and Muralismo

In 1972, San Francisco’s Bay Area Rapid Transit (BART) system officials commissioned Oakland artist Michael Rios to create a mural at 24th and Mission Streets. Rumor has it that Rios was torn between his passion for art and his loyalty to his community. When BART announced its plans for the station to be built, the Mission’s residents protested fiercely,...

Tue Jun 11, 2024 15:14
Two Shakespeareans Take Stock

In their candid, comprehensive book Shakespeare: The Man Who Pays the Rent, legendary actress Dame Judi Dench and actor and director Brendan O’Hea discuss Dench’s experiences performing iconic Shakespearean roles, including Cleopatra, Titania, and Lady Macbeth. I talked with Dench and O’Hea about actor-audience reciprocity, the communal experience of...

Thu Jun 6, 2024 15:18
Rise of the Ghost Machines

I was halfway through writing the first draft of a novel about artificial intelligence when I heard that Christie’s planned to auction a portrait produced by AI. This was before DALL-E, before GPT3, before Gemini, Grok, and the latest chatbots. At the time, the idea of an algorithm producing art was plausible, but ridiculous. In theory, it was possible...

Wed Jun 5, 2024 13:19
Gabriel Smith Writes Like He Has Nothing Left to Lose

The most exciting thing to encounter in the world of publishing is a writer who doesn’t sound like anyone else. I first read Gabriel Smith at the Drift, where our then fiction editor spied his story, “The Complete,” in the slush, so it’s been a thrill to help bring out his debut novel, Brat, in my other role as an editor at Penguin Press. Brat is sharp,...

Tue Jun 4, 2024 17:27

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