Two of their three films have distributors; they're seeking a home for the third.

Exclusive: Aïnouz returns to Brazilian cinema for his second consecutive Cannes premiere.

What if imaginary friends were real? And also just really depressed?

Dressing Moss' chic, chameleon-like British spy began by creating a powerful black silhouette, which costume designer Anthony Unwin echoed in her Paris street fight with a femme fatale theme.

Cannes: Hospitalized the day after shooting wrapped, Fillières worked through illness to deliver a quiet portrait of a middle-aged life at the crossroads.

Cannes: Jonathan Millet's directorial debut is an espionage saga that honors our natural thirst for revenge while acknowledging the opportunity costs it creates.