The Japanese filmmaker Ryûsuke Hamaguchi follows his Oscar-winning “Drive My Car” with a hauntingly ambiguous drama of nature and capitalism in conflict.

In Jane Schoenbrun’s new feature, two teens search for their true selves through their shared obsession with a horror TV series.

In an era of postmodern, self-referential music, there’s something refreshing about the artist’s new album—short songs, big hooks, and a celebration of delight.

Also: “Uncle Vanya” and “Staff Meal” reviewed, superstar pianists at Carnegie Hall, and more.

“The Boy and the Heron” finds the filmmaker revising—and sometimes upending—the themes that have defined his career.

The new Hulu documentary charts the rise of one of the earliest reality-TV stars and the ethically queasy production choices that cemented his fame—but it’s elevated by its interest in what came afterward.