The New Yorker: Culture
A new HBO documentary series follows King George, the eighty-six-year-old overlord of the Texas Renaissance Festival, and the vicious competition to replace him.
The rules governing everything from “Big Brother” to “The Real Housewives” started three decades ago, with a radical experiment on MTV.
First, the kids drew their dreams. Then they posed next to them, in bed. The resulting black-and-white photos reveal the emotional realism that lies behind the fantastical.
My wife sees it as an expression of feelings-friendly masculinity to be modelled for our two still-impressionable boys.
Vittorio De Sica’s 1946 neo-realist drama helped put Italian movies at the center of world cinema.
The co-host of “How Did This Get Made?” enlightens David Remnick on the art of terrible film. Plus, the New Yorker film critic Justin Chang praises Coppola’s divisive “Megalopolis.”
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